Story: Geoff Johns and Peter Tomasi
Art: Ivan Reis, Joe Prado, Oclair Albert and Rob Hunter
In the opening pages of this DC comicbook, Boston Brand (aka Deadman) cries out for an explanation as to why Hawkman and Hawkgirl were vaporized by the White Lantern. But this is not the most interesting part of this comicbook. What really stopped me from putting down this book is the fact that it follows one focal point, that of Aquaman and the rest of the undersea-dwelling heroes and villains in DC Universe. You see, many issues in the series have multiple plots that dragged down many a reader’s interest. Well, not this issue. Plus, who doesn’t like opening salvos? Being the first chapter of the Aquawar arc, this issue is a must have.
- It’s a story arc about Aquaman whom I miss ever since his own ongoing series has been canceled back in the end of 2007.
- Awesome cover art with equally eye-melting rendition of Black Manta.
- Artwork on each page is clean and crisp. Character expressions are simply incredible.
- Plus, how often do you see a very important comic book character losing an arm in a dastardly attack?
- Honestly, I really have no complaints about this issue, except that I feel the fight scenes could have used a few more panels.
If you’re still coming to grips with what happened in Brightest Day #18, then this latest issue on the celebrated yearlong maxi-series from DC Comics will blow you away. I hate to repeat myself but, yeah, this issue focuses on one of the most beloved characters in superhero comics genre who’s none other than Aquaman. The best part is there’s big action in this comic book. ‘Nuff said.
Writers: Geoff Johns and Peter J. Tomasi
Artists: Ivan Reis, Ardian Syaf
Inkers: Vicente Cifuentes, David Beaty
In this issue of Brightest Day, we find Firestorm (powered by the integrated identities of Ronnie Raymond and Jason Rusch) in a dark vacuum. But it’s not just any darkness that surrounds them. It’s actually a hive of shadow demons – Anti-monitors personal army. The scene happens close to Planet Qward.
Back on Earth, Boston Brand is persuaded over by Dawn Granger aka Dove to visit his last surviving relative, his grandfather. That little visit allows Boston to feel what it’s like to have a family again. But as Boston and his grandfather went for one last adventure, the white ring on Boston’s hand begins recharging. For what purpose? Nobody knows. One thing’s for sure, there’s gonna be no rest for Deadman.
Meanwhile, in Zamaron (the home planet of the Star Sapphires), Carter and Shiera Hall get help from Star Sapphire (aka Carol Ferris) and other members of the violet lantern corps as they fight the Manhawks. Apparently, the love between Carter and Shiera has drawn the attention of the violet lanterns, which represent the emotional spectrum of love. But things have taken for the worse in this comic book as The Predator, the emotional entity of love, chose to merge with Shiera’s evil mother, Queen Khea. We can only ask what’s next for the Star Sapphires, Hawkman, and Hawkgirl?
- Boston Brand taking his grandpa for one last wild ride. Grandpa Brand was a daredevil back in the day. Boston made a stunt ramp construct using his white ring.
- Just like in previous Brightest Day issues, this one has eye-popping artwork.
Character facial expressions and anatomical proportions are totally impressive.
- Minimalist cover art is just super.
- Well, I can’t really think of anything, except for the fact that the plot for most issues of the Brightest Day has been moving in a very slow pace. And bringing it up every time is like talking to a wall. I just hope that Geoff Johns has a very good ending for this series.
Reading Brightest Day #17 has left me hanging, but I can hardly describe this comic book as a filler issue. For the most part, this storyline has moved at a snail’s pace, but at the very least, this ish has the story moving forward. No, this is not a jumping on point if you are new to Brightest Day, but if you are a completist who’s been following this storyline, you definitely need to get this one.