Story: Geoff Johns
Art: Francis Manapul
Colors: Brian Buccellatto
In this comic book issue, Barry Allen aka The Flash investigates the death of the Elongated Kid who mysteriously appears too old for his real age. At around the same time, a new character from the future arrives in the here and now. His name is Hot Pursuit and he’s basically a speedster cop on a bike. Barry Allen suspects that something or someone has disturbed the present timeline. When he finally gets to meet Hot Pursuit, not only was Barry’s gut feeling affirmed, but he also had the biggest surprise of his life.
- This issue of The Flash is a classic Geoff Johns comic book. It has brilliant and smooth dialogues, plus the story pacing is sharp and clean.
- Francis Manalpul’s drawings are stripped down to the basics without making the overall artwork look too cartoony.
- Add the vibrant color work by Brian Buccellatto and you have graphics that seem to leap off the panels.
- The Flash #9 is a perfect jumping on point for fans of the Scarlett Speedster as it is the first part of the Road to Flashpoint.
- Comicbook fans who want to see The Flash catching bad guys will be disappointed. This issue is focused more on character development. Barry Allen dons his superhero costume only once and toward the end of the book… still without ever going toe to toe with criminals, superhuman or otherwise.
- The new character, Hot Pursuit, is just not up to par with the other characters in The Flash series, especially in the previous story arc. I find this timecop on a bike to be unoriginal and a bit dull. And are those blinker lights on Hot Pursuit’s shoulders (red on the right and blue one on the left)?
Overall, fans of The Flash will love this comic book. Sure, there’s no action here, but the plotline for the Road to Flashpoint has definitely moved forward and you don’t want to miss it. Geoff Johns has begun developing the characters that will be involved in Flashpoint, the next big event in DC Universe.
Story: Geoff Johns and Peter Tomasi
Art: Ivan Reis, Joe Prado, Oclair Albert and Rob Hunter
In the opening pages of this DC comicbook, Boston Brand (aka Deadman) cries out for an explanation as to why Hawkman and Hawkgirl were vaporized by the White Lantern. But this is not the most interesting part of this comicbook. What really stopped me from putting down this book is the fact that it follows one focal point, that of Aquaman and the rest of the undersea-dwelling heroes and villains in DC Universe. You see, many issues in the series have multiple plots that dragged down many a reader’s interest. Well, not this issue. Plus, who doesn’t like opening salvos? Being the first chapter of the Aquawar arc, this issue is a must have.
- It’s a story arc about Aquaman whom I miss ever since his own ongoing series has been canceled back in the end of 2007.
- Awesome cover art with equally eye-melting rendition of Black Manta.
- Artwork on each page is clean and crisp. Character expressions are simply incredible.
- Plus, how often do you see a very important comic book character losing an arm in a dastardly attack?
- Honestly, I really have no complaints about this issue, except that I feel the fight scenes could have used a few more panels.
If you’re still coming to grips with what happened in Brightest Day #18, then this latest issue on the celebrated yearlong maxi-series from DC Comics will blow you away. I hate to repeat myself but, yeah, this issue focuses on one of the most beloved characters in superhero comics genre who’s none other than Aquaman. The best part is there’s big action in this comic book. ‘Nuff said.
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Writers: Geoff Johns and Peter J. Tomasi
Artists: Ivan Reis, Ardian Syaf
Inkers: Vicente Cifuentes, David Beaty
In this issue of Brightest Day, we find Firestorm (powered by the integrated identities of Ronnie Raymond and Jason Rusch) in a dark vacuum. But it’s not just any darkness that surrounds them. It’s actually a hive of shadow demons – Anti-monitors personal army. The scene happens close to Planet Qward.
Back on Earth, Boston Brand is persuaded over by Dawn Granger aka Dove to visit his last surviving relative, his grandfather. That little visit allows Boston to feel what it’s like to have a family again. But as Boston and his grandfather went for one last adventure, the white ring on Boston’s hand begins recharging. For what purpose? Nobody knows. One thing’s for sure, there’s gonna be no rest for Deadman.
Meanwhile, in Zamaron (the home planet of the Star Sapphires), Carter and Shiera Hall get help from Star Sapphire (aka Carol Ferris) and other members of the violet lantern corps as they fight the Manhawks. Apparently, the love between Carter and Shiera has drawn the attention of the violet lanterns, which represent the emotional spectrum of love. But things have taken for the worse in this comic book as The Predator, the emotional entity of love, chose to merge with Shiera’s evil mother, Queen Khea. We can only ask what’s next for the Star Sapphires, Hawkman, and Hawkgirl?
- Boston Brand taking his grandpa for one last wild ride. Grandpa Brand was a daredevil back in the day. Boston made a stunt ramp construct using his white ring.
- Just like in previous Brightest Day issues, this one has eye-popping artwork.
Character facial expressions and anatomical proportions are totally impressive.
- Minimalist cover art is just super.
- Well, I can’t really think of anything, except for the fact that the plot for most issues of the Brightest Day has been moving in a very slow pace. And bringing it up every time is like talking to a wall. I just hope that Geoff Johns has a very good ending for this series.
Reading Brightest Day #17 has left me hanging, but I can hardly describe this comic book as a filler issue. For the most part, this storyline has moved at a snail’s pace, but at the very least, this ish has the story moving forward. No, this is not a jumping on point if you are new to Brightest Day, but if you are a completist who’s been following this storyline, you definitely need to get this one.
Story: Geoff Johns
Pencils: Doug Mahnke
Inks: Keith Champagne, Christian Alamy, Tom Nguyen, and Mark Irwin
Colors: Randy Mayor
Green Lantern #61 lets comic book readers see the world in the eyes of Atrocitus. A strange world full of strange people, he says. A stark observation if I may add. But Atty has a bigger fish to…err…fish. You see, he needs to locate and capture The Butcher, the emotional element of rage, before somebody else collects it. Atrocitus’ archaic and messy tracking technique leads him to a penal facility where a man is about to get electrocuted for a crime he committed and the victim’s father is there to watch the convict fry.
- Special appearance of The Spectre aka Crispus Allen.
- The mano-a-mano scene between The Spectre and The Butcher, who has merged with an unwilling human host.
- The look of The Butcher when it merged with a human host is just fiendishly awesome. Like a hardcore demon with all sorts of blades and knives hanging from its belt.
- The words in this comic book issue are remarkable. Comic book fans can find quotable quotes without having nose bleeds.
- Ink job is also incredible.
- The story is focused on Atrocitus.
- The scene where The Spectre said that Atrocitus cannot be judged has left a few unanswered questions.
The best part of this comic book issue is its smooth-flowing story. Using a prison as the backdrop for the hunt for The Butcher is right on the ball. Where else can we find rage at its worst other than in a correctional facility? Overall, Green Lantern #61 is a good read.
Story: Geoff Johns and Scott Kolins
Colors: Brian Buccellato
Letters: Sal Cipriano
Cover art: Scott Kolins with Michael Atiyeh
Flash #8 paints Central City yellow with the rebirth of Reverse Flash. This issue is basically about how Eobard Thawne became one of the most formidable foes of the scarlet speedster. But apart from the obvious animosity between these two characters, what makes their story more interesting is the fact that The Flash and Reverse-Flash are inseparable, one cannot exist without the other. Hence, after the Flash: Rebirth series, here comes the retelling of the story of Reverse-Flash.
- Eobard Thawne is not an ordinary psychopath. He has the power to literally erase from history all the people and things he dislikes.
- Just like the previous issues of The Flash, this comic book issue has a lot of energy within the pages. Readers can feel the emotions of the characters.
- Excellent colors by Brian Buccellato.
- Cheesy – or should I say loser – moments when Eobard Thawne fell in love with a girl named Rose. Unfortunately, these scenes were essential in the story. It was the part that tipped Eobard Thawne’s pot, the straw that broke the camel’s back if you will.
- The body proportions in some of the drawings can be a bit disquieting, if you like realistic artwork., but the rich colors can well make up for this little concern.
The Flash #8 is a self-contained issue, a one-shot material. Meaning, this is a perfect jumping on point for comic book fans who want to catch up with the latest series of The Flash. This also paves the road to Flashpoint, the much-awaited story arc about the fastest man alive.
The Dastardly Death of the Rogues comes to a close, wrapping up the first five issues of The Flash written by Geoff Johns. Previously… the Reverse-Flash Task Force (RTFF), a police force from the 25th century, is hot on the trail of Barry Allen aka Flash. Later on in the series, an RTFF member known as The Top befriended our hero and things looked a little brighter for the beleaguered Flash. But the twist came in The Flash #5 where it was revealed that Top was the one who actually set up the Scarlet Speedster.
Well, if you are looking for an explosive conclusion to this series, you might be quite disappointed with this issue. However, if you love crime drama or mystery series and you wouldn’t mind having a more worldly approach to superheroes, then this comic book will definitely hit you on the spot. In the opening pages, we see Flash finally getting caught, restrained, and facing the The Judge from the 25th century. Of course, Barry Allen escaped and went back to the present to clear his name and apprehend the real criminal—none other than the double-crossing Top—who’s about to kill Barry’s wife, Iris.
This issue is packed with crucial revelations and events that will be forever etched in the life of the Scarlet Speedster. Plus, the artwork by Francis Manapul is definitely a masterpiece. From character expressions to blow-up scenes, Manapul has, yet again, did a great job. And loyal comic readers shouldn’t even be surprised by it.
“I just hope there’s more to life than a good cheeseburger.” — Boston Brand/Deadman
This Brightest Day chapter focuses on one character—Deadman. Not only will comic book readers know what happens to Boston Brand’s quest to find someone who will replace him as the bearer of the White Lantern ring, but more interestingly we get to see the origins of the ghost in the red acrobatic suit.
Thinking that Batman is the worthy guardian of the Earth–and hence the perfect bearer of the White Lantern ring–Deadman goes to Gotham City. But things turned bad, when he finds himself right in the middle of a heist masterminded by Mr. Freeze. While Batman will definitely be in the pages of this issue, I believe the cover art is a bit misleading. Still, fans will definitely find themselves thunderstruck after reading this ish.
Again, Geoff Johns delivers a great story. Now that Brightest Day is halfway through to its conclusion and the main characters have been fully developed and set, I’m sure that readers can expect more energetic installments from Johns. It is also worth mentioning that right from the start, the art by Ivan Reis perfectly captures the strength of Johns’ writing. For this issue in particular, Reis did an amazing job in Deadman’s movements and facial expressions.
You’d be crazy if you don’t like this series written by Mark Millar, with art by Steve McNiven. Think Batman/Bruce Wayne, except that Nemesis is on the other side of the law. Yep, a billionaire gadget-totting masked character who wants to destroy the status quo that we all have come to know. In this latest issue, we see Nemesis in a fantastic and bloody fight scene against prison guards—97 in all. His unbelievable escape is definitely one of a kind and a very expensive one at that. It shouldn’t to be missed. To top it all, McNiven also dishes out an awesome and very energetic art.
In this issue, we find Agardians and Broxton citizens busy rebuilding their lives after the Siege. Thor is about to jump on a new course. Where would that lead him? We don’t know. If you have been a longtime fan of the series, this issue signals the turning of a new chapter in the life and adventures of the God of Thunder and his friends.
Green Lantern Corps #52
Let’s face it. Blackest Night was one hell of a series. After that, it’s just hard to find another great story about the Green Lanterns. I have to admit, I am slowly getting bored with Brightest Day as a whole. But this latest issue of Green Lantern Corps has given me the jolt that I needed. Here, we find two great lanterns from our very own Space Sector 2814—Kyle Rayner and John Stewart—on center stage as they save the day in Planet Grenda. This issue is made more relevant as it shows us the sad end of Hank Henshaw (aka Cyborg Superman) in the hands of Lantern Boodikka. Moreover, Alpha Lanterns have been changed back and reinstated into the Corps. For many Green Lantern fans, the team pose at the end is reason enough to get this issue.
Previously… Flash is being arrested by the time-traveling Renegades from the 25th century for a crime that our hero is supposed to have committed in the future.
Now…Flash gets support from Top, one of the Renegades from the 25th century. But any help from Top is offset by the fact that the other Renegades and both present and future Rogues are hot on our duo’s tails. The plot also thickens as the mirror containing the Mirror Lords is also about to crack. Will things get better or worse for the Flash? Well, writer Geoff Johns hangs us in suspense till the next issue.
Justice League Generation Lost #10
Magog and Maxwell Lord have joined hands and we see the kind of future that this alliance could bring. Make no mistake, Maxwell Lord simply wants to corrupt the future. That’s why it is imperative that our Justice League heroes uncover Max’s plans. This issue also features Batman and Power Girl inquiring about Max. Did these two finally break free of the global mind wipe performed by Max? If so, will they be able to join the Justice League in the hunt for Max? Let’s all stay tuned.